The Elusive Miss Dashwood

This Spring I did an ACEO pen and ink drawing of Marianne Dashwood, a character from Sense and Sensibility by Jane Austen (see it on this blog here).
I liked how it came out and I even printed it on the back of my newest business card.

That being done, I wanted to do an illustration of Marianne's older sister in the story, Elinor.  What I did not anticipate was that capturing Elinor Dashwood in a small portrait-type illustration would be a tricky thing for me to do!

Here's my first attempt, which was designed to be a "sister" piece to Marianne.  Play on words intended.

I like her as a piece of art, but there was more I wanted to say about Elinor than this illustration was saying.  What's going on in her life during the story isn't easy, but at the same time she's resigned to be content with her situation and make the best of it.  She's responsible and understands where she fits into society.  When it comes to emotions, Elinor doesn't show hers easily.  Elinor #1 looks too open somehow and doesn't have the hint of hidden emotions that I think a picture of Elinor Dashwood should have.  

Here's my second try.

It was fun to use so much color!  I like Elinor #2.  She looks like something silly is going on nearby and she can't get herself to join in. However, I think she looks a little younger than I intended even though her age at the beginning of Sense and Sensibility was supposed to be only 19 (source).  The elusive Miss Dashwood was proving to be a hard character to draw!  

I think I'm happiest with my third version, which at the time of this post is still in my sketchbook.

As a matter of fact, I might leave this version as a pencil sketch complete with messy lines and eraser marks.  Somehow the work-in-progress suits Elinor!

Something I'm Working On

Greetings!  I hope everyone is having a good summer.  I'm happy to stay out of the heat and draw!  I can't show the commission I'm currently working on because it's a custom gift.  But I can share what I'm up to on the side.  I'm working on creating a style I like for drawing historical figures as characters rather than more formal-looking portraits.  These are Cesare and Lucrezia Borgia, drawn from the influences of television series characters, descriptions in reading, and paintings of the Renaissance period.

More Fan Art

I admit I'm having way to much fun with this.  Sketching faces is so relaxing to me, I love historical stories, and "The Borgias" (Showtime) has given me never-ending reference!  This is Cesare Borgia, from my own screenshot from the pilot episode.  Graphite.

Illustration Friday: "Surveillance"

I'm a huge fan of the (sadly cancelled) Showtime original series "The Borgias".  It's like a really great historical fiction book come to life and is, well, eye candy in every way.  It makes me want to draw every character and facial expression, not to mention the beautiful lighting, scenes and costumes.

Since I've been dying to do that, I chose a scene that would fit this week's IF theme, took a screenshot on my desktop, and sketched from it!  This is Lucrezia Borgia as she stands on a curtained balcony above the hall where her suitors are being presented, observing them.  Holliday Grainger is the actress who brilliantly plays Lucrezia, and this scene can be found in Season 2, Episode 6.

I have not decided if I will push this further, or if I will go on to sketch more faces instead!

Illustration Friday: "Tension"

I wish I could spin some meaning into this, but in reality it was just about procrastinating, doing a fast sketch for fun and drawing thick lines with my brush pen!  It felt great.  When I realized it would work for Illustration Friday, it was a nice little bonus!

"Marielle"

"Marielle"

I named her after I drew her.  I don't know why but the name just seemed to fit.  She's a pencil sketch I did from my imagination last night while watching television.  I really like sketching while watching TV;  the TV keeps me from over-thinking!

A Few Doodles

Hi everyone!  I've been busy with life things and haven't been working on anything I thought was worth posting, but I have been doing little drawings in my sketchbook.  I wanted to check in here and say "hello", so I'll go ahead and post a few sketches.  These are all drawn quickly in ballpoint. I'm liking ballpoint more and more!  No smudging, no sharpening, no stopping to dip a pen!

More Ballpoint Sketches

Here's an idea (or two) I was working on yesterday in my sketchbook. The sun was there first but got overrun by the bigger drawing!  These are drawn with black ballpoint pen and I think if I do a finished version I'll stick to ballpoint.  I love it.

Another 1920s girl sketch

Actually it could be argued that the title of this post is wrong since there are two girls in the sketch.  But the one on the right was the first attempt and didn't look right so....she doesn't count in the title.  I could have Photoshopped her out but I think she's kind of interesting lurking there! 

1920s Girl, WIP

Lately I've been sketching lots of girls from the 1920s.  I think maybe
it's because of the dramatic eyes and lips, and the cute, wavy hairstyles!
This is from my sketchbook.

"Sometimes" is today!

The title of this illustration is "Sometimes", but this morning was so frustrating that I should rename it "Today"!  I was online trying to set up a new place to show my work.  Needless to say, it wasn't working.  So I scrapped the whole idea.  AARGH!

"Sometimes" is available as a print, pillow, t-shirt and more here.

Romeo and Juliet (and process)

Hi everyone!  I wanted to share a new illustration.  And I'm happy to say I can actually post my process for this piece since I remembered to save the steps as I worked! 

I was dying to do some sort of interpretation of Romeo and Juliet.  You all know I'm hooked on romance!  So I grabbed my sketchbook to do some thumbnails and idea sketches.  One of the ideas kind of "stuck" with me so I scanned it, adjusted it and started working with and revising it.  I included a border design because I've been enjoying using decorative and graphic elements in my art lately.

Scan from my sketchbook

Rough redrawing

Final sketch

The final sketch doesn't have all the details drawn into it because I always get impatient doing too much with a final sketch.  I like deciding what the details will be and then just going for it in the final drawing!

I used a light table to trace the final sketch onto a piece of paper from my sketchbook.  I like the feel of the paper and the graphite drawing wasn't going to be final art anyway, so it didn't matter to me if the paper wasn't of great quality.

Graphite drawing

Then I scanned the graphite drawing into Photoshop, adjusted the lines for lightness/darkness and cleaned up the result.  But I didn't clean it up completely!  I wanted some of the qualities of sketchiness and graphite to remain.  I also transformed the angles and sizes of the heads and faces.

Digitally adjusted pencil drawing

From there I researched colorizing black and white photos in Photoshop.  I've never digitally colored a pencil drawing before and I figured the instructions for colorizing photos would translate as well as anything!  I played around with colors, which I think is the absolute best part of coloring digitally.  You can try whatever you want and not ruin your base art.

Color trials in Photoshop

One thing I tried that worked well for this piece was duplicating the line art layer in Photoshop and pasting it on top of the original one, set to "multiply" and at an opacity of 100%.  It really punched up the line art, which I thought was good since the colored graphite lines didn't look strong enough to me with only one line art layer.  The punched-up line drawing supported the color well too without losing any of the details I liked about the drawing. 

Final colors and details were worked out and rosy cheeks were added.  I also created and added a signature, something I hadn't bothered with earlier.

Final art

I'm really happy with how my "Romeo and Juliet" turned out.  It's about time I did a process post, eh?  I hope you enjoyed it.  As always, thanks for visiting!

Added June 6, 2013:  "Romeo and Juliet" is now available as an art print in my Society6 shop here.

Colored inks!

My husband was cleaning out our daughter's craft cabinet last weekend and he found 5 bottles of Winsor & Newton colored ink that I'd given her years ago.  The boxes have price stickers on them: $1.85 each at the university bookstore (where I bought them in the early 80's)!  I decided to see if they were still viable in any way and was so surprised to find out that they are still good!

Illustration Friday: "Secret"

For this week I did a quick, loose ballpoint pen drawing in my sketchbook, scanned it and tinted it in Photoshop.  It was time for a little romance!

Morning warm-up

I wanted to toss out something fun before going on to the very regimented, perfect-edges-oriented work of the day.  Happy Tuesday!

Illustration Friday: "Heights"

"Rapunzel, let down your golden hair!"

My idea for this week's prompt was to illustrate Rapunzel looking down at the prince from the heights of her tower.  Unfortunately I didn't get time to go any farther than this sketch!  I'll finish it though, and add it to the blog when it's done.  The weird circle at the top of the drawing was on the sketchbook page in ink so I couldn't get rid of it.  I figured nobody would ever see this sketch so it wouldn't matter! Anyway, please imagine that circle isn't there and I hope you like the drawing so far.  

First sketch of the prince

Medieval in ballpoint

I love medieval images.  And nice, non-blobby ballpoint pens.  Right now I'm using Bic Round Stic Grip in black fine point.  Nice!  This was scanned out of my sketchbook from this evening.

Illustration Friday: "Suspense"

I was thinking about this idea all week but never had time to do an inked version!  This is my sketchbook rough, scanned and worked up in Photoshop.

A page of male faces

Thinking about it now, I wish I'd done a Santa hat on one of these!  Pen and ink with black watercolor wash.  

Watercolor block sketchy doodles

Last night I used an old watercolor block page as a sketchbook.  I had just opened a little watercolor set ( Cotman Sketchers' Pocket Box by Winsor & Newton) and I really wanted to play around with the cute little blocks of watercolor.  I was sketching mostly with ballpoint pen so I couldn't correct anything.  Then I touched up some of the drawings with pen and ink after the watercolor dried.

You can see the little boy's head from the top picture in the bottom corner of the bottom one.  I cleaned the top sketch up to post alone because it was my favorite.  No judging the bad proportions!  Pen sketching means you just kind of....go with the flow!